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Holocaust-memory Program Centers On World War II-era Musical Instruments

After World War II, Palestine Symphony Orchestra musician offered Moshe Weinstein an ultimatum

After World War II, Palestine Symphony Orchestra musicians who wanted nothing to do with their German-made instruments offered Moshe Weinstein an ultimatum.

Weinstein had trained as a violinist and violin maker in Vilnius, then part of Poland, and moved in 1938 to Mandatory Palestine, where he opened a violin shop. The musicians told him of the instruments, “Either you buy them, or they will be destroyed,” Avshalom Weinstein, the late violin dealer’s grandson, told Zenger News.

Moshe Weinstein opted to buy, and the instruments he purchased formed the heart of a collection of Holocaust-era stringed instruments, according to the dealer’s grandson. The collection is being displayed, and some of the instruments were used to play bittersweet tunes, which honor the lives of survivors and memorialize those who were murdered.

After World War II, Palestine Symphony Orchestra musicians who wanted nothing to do with their German-made instruments offered Moshe Weinstein an ultimatum. AVSHI WEINSTEIN/GETTY IMAGES

Avshalom and his father, Amnon, have subsequently accumulated dozens of other stringed instruments—mostly violins—that are part of a series of concerts across the world and other educational events, including exhibitions. The project is called Violins of Hope.

“The collection started off scrappy, with little documentation and provenance information, then blossomed into a full-fledged collection under the supervision of Avshi Weinstein and his father, Amnon,” the Chicago Tribune reported.

‘Each tells a story’

Born in 1909, Moshe Weinstein and one of his brothers were the only two of 11 siblings to survive the Holocaust. Moshe passed away in 1987, his grandson told Zenger News.

Amnon brought attention to his father Moshe’s instrument collection in a 1999 lecture in Dresden, as well as in an interview that year on Israeli radio. Owners of the instruments and family members of the owners, who heard about the collection in the lecture and on the radio, contacted Amnon.

“It was at that point we understood where these violins came from,” Avshalom told Zenger News. “Each of these violins tells us a story.”

After World War II, Palestine Symphony Orchestra musicians who wanted nothing to do with their German-made instruments offered Moshe Weinstein an ultimatum. AVSHI WEINSTEIN/GETTY IMAGES

The Violins of Hope collection now numbers more than 90 instruments. The concerts and exhibitions connected to the instruments honor those who suffered and were killed in the Holocaust, Avshalom said.

The JCC Chicago website lists some 65 related events in the Chicago area from April 4 to Sept. 9 connected to Violins of Hope; there will also be events in Pittsburgh in October and November.

Chance to change the way people think

Ilene Uhlmann, director of community engagement at JCC Chicago and Chicago director of Violins of Hope, told Zenger News that the instruments can make a powerful impression as Holocaust memory “grows dimmer in public memory” every year.

“This is an incredible opportunity for us to make a difference, especially among the youth,” she said.

The instruments that are part of the programs relate to varying degrees to the Holocaust. Some belong to Palestine Symphony Orchestra musicians, while others that were found during World War II were named in honor of Holocaust survivors and other noted people, according to Uhlmann.

A “Rabin violin,” for example, is signed but was never owned by former Israeli Prime Minister Yitzhak Rabin.

“Most of the instruments give little hint of their history, but a few wear it proudly. The back of a violin owned by a prisoner of war bears an ornate engraving of a fortress wall and battlements with the inscription, ‘Souvenir de captivité,’” per the Tribune.

“Several klezmer violins are adorned with Stars of David. In most, if you peer through the instrument’s F-hole, you can glimpse a précis of the instrument’s history, provided by the Weinsteins and usually in English or Hebrew,” it added.

One violin that has been shown and played as part of the project is identified with the late Holocaust survivor and musician Violette Jacquet-Silberstein. (It is listed as No. 100 in a Violins of Hope catalog.) Jacquet-Silberstein’s life was saved multiple times due to her involvement in a concentration-camp orchestra, per the catalog. Her violin, “with its original strings,” is part of Violins of Hope, it stated. The violin is being restored.

“Every story is powerful and an opportunity to change the way people think,” Uhlmann said. “Maybe it will cause people to look at others differently and realize that we are not so different.”

A different type of survivor

James Grymes, professor of musicology at the University of North Carolina at Charlotte, met Amnon and Avshalom in 2011, inspiring him to write the 2014 book, Violins of Hope: Violins of the Holocaust—Instruments of Hope and Liberation in Mankind’s Darkest Hour.

A story of Feivel Wininger and his violin stands out, Grymes told Zenger News.

In the ghetto of Shargorod in Ukraine, a judge gifted an Amati violin—a name, along with Stradivarius, that’s among the most celebrated in instruments—to Wininger, whom he recognized as a talented young musician.

Wininger played the violin at weddings and holidays in exchange for leftover food in a deal he made with a local peasant. He lost the Amati violin but somehow acquired another from the workshop Placht in Schonbach, Germany. The latter violin became part of the Violins of Hope when Wininger’s daughter brought it to the Weinstein shop in Tel Aviv for repair, and the collectors learned its story, the project website states.

“Like I tell my students, each of the 6 million Jews who were killed during the Holocaust have stories to tell,” Grymes said. “These violins are a different type of survivor, and they have stories to tell us.”

Produced in association with Jewish News Syndicate

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